screenwriting

There are three types of people in the world. Those who jump into the water without learning how to swim and that try to figure it out once drowning. Those that don’t put a finger inside the pool until they have read the magnum opera about swimming. And those that find their way in the middle.

While in real life matters we tend to pursue the third way, when it comes to researching for a creative project we might find ourself indulging more in the first or second possibility. Or we don’t start until we are sure to know everything on the subject – and that sounds like an excuse not to start, doesn’t it? – or we write without doing any kind of research.

Your idea is to write a medical series? There is no need to become a doctor but sure, if you write and you have no notion on the concept, this will surely show at some point. The faith your audience have in you will fade and nobody would watch your series again.

So, how to balance researching and creative work?

There are many ways, it depends on the person. Famous screenwriter Steven de Souza, for example, doesn’t like research to interfere with his creative flow, so he first writes an emotionally driven draft, and then does the research it needs. Michael Schiffer likes to live and breath what is writing about, so he not only buys DVDs and books on what he is writing, but also tries to travel to the locations he wants to describe and to stay with the people that inspire his characters.

Of course, everyone will have their own method. But, since doing a great project might take a while, I think that is important for you to do your research in a way that it enforces your creativity.

One of the best examples I could think of is my best friend writing her first novel. As she started what was going to be the first volume of a trilogy, my friend didn’t know she would have gone that far. Everything had started from a glimpse, a sparkle of an idea she had when she discovered the historical figure of who was going to be her main character. She had started working on the main storyline and the characters but, because she was writing a period novel, she soon found herself in need of learning more about historical and geographical settings. So she started a two way journey. On one hand she was structuring characters and drama, on the other she was researching historical events, cultural details and other elements she would have needed for her story to be credible for her audience.

One might think this work to be very hard and boring. Maybe, but more than once I saw my friend enthusiastic because the knowledge she gained on the subject she was writing gave her not only the ability to solve problems that might have sorted in the continuity, but also to find new ideas for her drama.

If you think about it, it’s normal for us to create in relations of what is close to us. Unless you are some sort of genius, your creativity will in some way be related to what you live and experience everyday. Not to mention all the films, books and art you have encountered in your life. So, the more you would try to immerge yourself in the world, characters and story of your project, the more you and your creativity would be influenced but them.

Why don’t you give it a try? Just remember not to go to far. If you are writing a story about a psycho killer and you go berserk, I don’t want police to check on me for suggesting you to do that. 😉

(This image is property of Tracy J. Butler – check her awesome comic)

When you decide to finally give in to your inner voice saying that your true vocation is *insert any creative profession*, you initially feel relieved, like if you had finally spoken the truth after a long time of lies. You feel great, charged both by courage and fear, and you start working on your own creative job that, at this point of the story, is quite far from being payed with any kind of retribution.

You think that, as this is YOUR dream, YOUR profession, the one you had so much time and so much trouble to find, of course everything is going to be a piece of cake.

Hell if you are wrong.

You used to think that your parents discouraged you so much because of the competition and the difficulties buried in your profession’s fundaments, but is not the only reason.

They probably knew, as your are learning now, that in creative professions, you are less likely to find yourself inside an already set path. Unlike other professions, where you can image yourself being hired and start a nine-to-five career, in creativity you can’t follow the others, otherwise it would be harder to succeed. You have to figure out and make your own path, and work on it everyday. And, most of the times, you’d be alone with your creativity.

As your brain struggles to find ideas, languages, expressions, as you stare at the blank page and try to follow a schedule even if know one would care if you don’t, that’s when you start what I call “The Serial Procrastination“.

Suddenly everything seems to be more important than your work. Facebook, cat videos, emails (for me chores) seem unable to wait. And that is how you don’t get your shit done.

I asked myself many times why, when I had to prepare for an university exam, I used to have a ten elephant-pack concentration but, if I have to think of a plot, I am distracted as a three weeks old kitten.

I found my answer after speaking with my coach, Sonja. I went back to the day I said my parents I wanted to live with stories. I felt good, yes, but also a little ashamed and guilty, because in my family stories were never considered a job, they were nothing more than a hobby. So, back then, part of me felt like I had chosen a profession that deserved less respect than some others and, unfortunately, this affects me even today.

But if you want to succeed, to make a living out of your passion you have to give it (and, consequently, to give you) the right credit. You have to commit and struggle, as you would do if you were employed in a society.

There are many different ways you can try to find your own way to commit. There are routines, exercises, moments for feedbacks and motivational recaps. Personally I recommend you to read this amazing book “101 Ways of Successful Screenwriters” , even if screenwriting is not what you want to do. It really helps you to find a way to dedicate to a creative profession, despite all the mental arguments you might have with yourself.

And then, as Shia LaBoeuf would say… “Just do it“.

Photo by Giulia Linus

Aurora Piaggesi

Telling Stories

Researching: pain and bliss

The eternal struggle of creative procrastinators